Good and Evil in Good Country People Essay example -- people

Good and Evil in Good Country good deal In Good Country People by Flannery OConnor, the masked truth is reflected unequivocally through the sincereity in the story, its equal counterpart. For every good or evil thing, there is an opposition or opposing force. Each character has a duplicate reputation mirrored in someone else in the story. In the story, the happen upons and personalities of the characters clash. The put up is the mask covering the personality, which is representative of the reality aspect of each character. When Mrs. Hopewell anticipated her missy Joy, she was hoping for all the joy that comes with raising a squirt and watching the child develop a life of its own. What Mrs. Hopewell received was a disabled fille who lived miserably at home and was the antithesis of everything her mother believed. The name Hulga is also a mask. When Joy changed her name to Hulga, Mrs. Hopewell had made up her mind that Joy had persuasion and thought until she hit upon th e ugliest name in any language (OConnor 299). Although Joy-Hulga chose the name because of its ugly sound and how well it suited her, she secretly desired an midland self that was beautifully unique (Bloom 99). The name Manley, the Bible salesman, has similar implications. The name Manley includes the word man, but he is constantly revealed through his child-like acts such as his mumbling was like the sleepy fretting of a child (OConnor 307). OConnor also refers to him as having sweet breath like a childs and his kisses were sticky like a childs (307). The beginning of the story, Good Country People, is misleading. At first, the story points to Mrs. Freeman and Manley arrow as being good country people. According to Mrs. Hopewell t... ... the story. Flannery OConnor portrayed some(prenominal) the good and the evil side of human nature. She also explored religious issues that atomic number 18 prevalent in todays society. The struggle between good and evil and real and hidden t ruths build the foundations for Good Country People. Works Cited Bloom, Harold, ed. Flannery OConnor. New York Chelsea, 1986. Humphries, Jefferson. The discreteness Within Gnostic Readings in Marcel Proust, Flannery OConnor, and Francois Villion. Baton Rouge atomic number 57 State UP, 1983. May, John R. The Pruning Word The Parables of Flannery OConnor. Notre dolly, IN U of Notre Dame P, 1976. OConnor, Flannery. Good Country People. Literature Reading, Fiction, Poetry, Drama, and the Essay. 3rd ed. Ed. Robert DiYanni. New York McGraw-Hill, 1994. 297-310. Walters, Dorothy. Flannery OConnor. New York Twayne, 1973.