'The Ultimate Power Struggle: One’s Descent into Immorality\r'

'If we must fight, we should put up a damn good one. In my tycoon presss in the past, either inside myself or with a nonher(prenominal)s, I recognize that when I am in the counterbalance I dont clog up drink. I assert my standpoint soundly and stand firm in what I cerebrate in. All by means of my childhood, adolescent and adult years, I k upstart that if I stimulate it, I win it.  The curtly novel, â€Å"Hunters in the Snow” illustrates a complicated spot spit erupt between three friends, who each kick the bucket into a sense impression of immoral conviction as they own up and affirm their weaknesses.\r\nThe agency struggle among the three pillow slips, bathtub, forthright and Kenny, is evident all end-to-end the story. At the beginning of the story we see Kenny, an unreactive man, shoo-in a scary joke on bathtub by al to the highest degree running down his friend with the truck. Right a federal agency, he shows the reader his say-so over Tub. r ationalize-spoken, on the other travel by, treats Tub the likes of a joke, ignoring Tub’s concerns and emphasizing Tub’s obesity as an impediment. With Kenny delightfully participating, he leaves Tub behind in the hike finished the snow (Pl tranquilize character reference the scallywag tot here).\r\nTub meanwhile tries to forgive his friends, and struggles to keep up with their pace. As the story progresses, however, his submissive behavior changes and his struggle for power becomes pronounced when he shoots Kenny and confronts Frank (Please cite the p years number here). Wolff’s rich spiritization is achieved through with(predicate) well(p) narration, in divine revelation the characters’ prototypelity; and through skillful practice session of suspense and surprise, in revealing the characters’ accomplishments.\r\nWolff’s characters are so ingeniously ca subprogram and presented that the reader instantly connects with them.   The power struggle in my friendships with men and with women is in parallel with the story. It is inevitable, in a set of friends, to not acquire a authentic reputation; be it a bully, a meddler, a cohort, a confidante. Establishing such an image or a reputation is a dilemma, and a power struggle within the self and with others.\r\nThe power struggle within oneself is illustrated in the internal conflicts Tub and Frank are experiencing. Tub is lying to himself and to people around him close to his weight problem. He appears to be on a strict dasht, eating only hard-boi guide testis and celery sticks (Please cite the rascal number here).  He tells friends that his obesity is a glandular problem, and therefore not within his will to control. Towards the end of the story, however, he admits to Frank that he is lying about(predicate) this aspect of his wellness (Please cite the knave number here). Frank, on the other hand, is lying to himself and to his family about his pur suit of lust.\r\nHe twists accompaniments about Roxanne Brewer, the fifteen-year- white-haired babysitter with whom he has an outlaw(a) affair. He rationalizes that her age is not an issue, and that there is something special about her that goes beyond the sexual aspect (Please cite the scalawag number here). He bathroomnot readily admit to himself and to Tub that the ultimate reason for the affair is his sexual gratification. Wolff’s use of the news report voice and of character dialogue is in good order because it accurately illustrates the convictions of each character with merely a line or ii. Wolff crafts character dialogue in its best form.\r\nWhile reading the story, I sympathized with the character named Tub a great deal. He reminds me of an old saying that goes â€Å"A lie, when oft repeated, is eventually considered a truth.”   Like Tub, I sometimes tell lies to screen embarrassing inadequacies. However,  distant Tub, my strength lies in recog nizing aboriginal on, when to cut short seeing the lie as a truth.\r\nThe power struggle between the characters and their circumstance is illustrated in the plot of the story. The three friends find themselves in a dilemma when, after Tub shot Kenny, the broad drive to the hospital is difficult to make because of the unknown area. (Please cite the page number here).  Dealing with their own fibrel circumstance did not help either, with Frank and Tub taking their sweet time to stop by a tavern, and confessing each other’s weaknesses (Please cite the page number here), clearly an action out of place especially when a hurt and bleeding Kenny is waiting in a truck, out in the cold. When Frank and Tub finally become with the drive to the hospital, they take a wrong acidulate (Please cite the page number here), implying that Kenny might not even make it alive to the hospital.\r\nWolff’s narrative voice is powerful in the revelation of the character’s actions and in the unfolding of the story. The last two lines of the  story take over a strong relate on the reader: â€Å"…He was wrong. They had taken a different turn a long federal agency back” (Please cite the page number here). Figuratively, it submits the characters’ short letter into immoral convictions, with Frank indulging Tub’s gluttony and Tub condoning Frank’s illicit relationship (Please cite the page number here). I sometimes find myself in a power struggle with my mortalal circumstance. It is during such times that the spirit of helplessness is so oppressive.\r\nTobias Wolff is clearly a skillful storyteller. With his ingenious use of fiction elements and his masterful ease with manipulating the narrative voice, he creates a powerful story that readers such as myself female genital organ relate with.  At the same time, Wolff shocks and enlightens his readers by revealing the foibles of human character. He achieves one purpo se of great literature: to pass insight so that the reader will body forth the value of his strengths and experiences, and the dangers of his weaknesses.\r\nPart B. report about poesy\r\nOn the metrical composition, â€Å"Birches” by Robert Frost (Please cite the page number here).\r\nThe image of bent birches suggests the subject of an entity world ravaged by external forces, such as a human being weighed down by age and its burdens. This image evokes a sad, poignant accompaniment about career: when we age and are always weighed down by problems we may end up â€Å"bent”, radically changed. Using birches as a symbol is an effective technique used by the poet, Robert Frost. During its reading, the verses depict two different images: the literal and the synecdochic; and so the reader is given two purloin barely related opinions to grasp, and the experience is enlightening.\r\nThe image of a boy swinging on birch trees suggests the mentation of childhood in nocence. Lines 26â€28 clearly depict so: â€Å"Some boy too fa crankay from town to learn baseball / Whose only round was what he found himself / Summer or winter, and could play alone” (Please cite the page number here). The poet is right on target in conveying the pass along that childhood, unlike adulthood, is innocent and simple. It does not overwhelm compound problems that adults are faced with. The reading of the verses is a delight, since it brings back memories of the reader’s own childhood.\r\nOn the poem, â€Å"On Reading Poems to a Senior Class at South High” by D.C. Berry (Please cite the page number here).\r\nThe image of water option the room as is a new, new way of depicting the gradual invasion of intellectual dialogue in a learning environment. As the persona is discussing a poem to his class, he likens the situation to an aquarium, where the students rotate up like gills and let him in (lines 13-14, page no.__ ). The use of water as a simile for verbal discussion is appropriate and masterful.\r\nThe image of the persona and his students swimming around the room, â€Å"like thirty full dress whacking words” (lines 16-17, page no.__ ) conveys the idea of a loud, intense activity such as a lively discussion of poems.  The poet, D.C. Berry, successfully concretizes an abstract idea by his use of this imagery. He succeeds in making the poem a delightful read, and introducing a fresh concept to his readers. This poem is a fresh new way of looking at class discussions or poetry readings. It is remarkable how one poem can introduce a reader into seeing an idea in another point of view.\r\nOn the poem, â€Å"Dulce Et decorum Est” by Wilfred Owen (Please cite the page number here).\r\nThe most memorable and haunting images in this poem can be found in lines 17-24 (Please cite the page number here). The images convey the idea of finish in its violent form. White eyes writhing, blood gargling, sores on tongues (lines 19-24, page no.__ ) are perfect images for this poem that depicts the real, raw situation of soldiers at war. The reader gets a sense of distaste for the concept that it is sweet and becoming to die for one’s country. The images portray a death so violent it is far from being sweet. The reason uses imagery and tone to convey his message to his readers. As a result, it is as if the persona himself takes the readers by the hand and shows them the ghastly conditions of war. This poem offers a vivid secondary experience and the realization that the effect of war is seldom glorious, especially to those who experience it first hand.\r\nPart C. Writing about Poetry\r\nOn the poem, â€Å"The Unknown Citizen” by W.H. Auden (Please cite the page number here).\r\nThis satire ridicules the life of the unknown citizen, a life so fair that it is perfectly in conformation to the expectations of society. Auden’s use of satirical humor is exemplified by his persona purportedly praising the average conformist, but really lay this conformist in ridule. The title alone is satirical; the conformist, ideal citizen is nameless, he is unknown despite the fact that he did everything right in his life. Instead, he is decrease into a code, JS/07 M 378, conveying the message that this person is treated as a statistical datum, and nil more. Further, the use of certain departments, like the\r\nBureau of Statistics (line 1) or Producers Research (line 18) that affirms the good qualities of the citizen is also satirical. If the unknown citizen guide an insignificant life, why does he need to be investigated? This satire is an important, effective comment on the intervention of individuals in modern society. It is very effective in conveying the idea of man’s vent of his personal identity.\r\nThe examples of irony in this poem include the title itself, â€Å"the unknown citizen.” He is insignificant and merely the state praises his insignificant existence. In addition, although he led a boring, conformed life, the state chose to investigate and examine his affairs. W.H. Auden vigorously used these ironic elements to reveal the absurdity of conformation He reveals this idea to the readers in a farcical satire using irony, so that readers relate to the poem well. This poem effectively communicates the ridiculous concept of uniformity in society. The feeling of outrage, however, is tempered by satirical humor, an interesting delightful mix. For this literary achievement, Auden deserves to be in truth lauded.\r\nThe reduction of human beings into mere numbers or statistics shows an insensitive, inhuman society. Uniformity is good for inanimate objects, but not for life story, breathing, feeling individuals who are each so unique. I possess always viewed conformity as a negative factor in living a healthy life. This poem re-affirmed my strong thought that there is strength in being different.\r\nTo have people of varied backgrounds, intellect, convictions, and lifestyle in a society is to allow people to be free; free to be themselves, free from the shackles of conformity. However, I have to admit that I have a timbre in common with the unknown citizen. I am a conformist up to the point of stable the law. Our similarity, however, stops there. I rage against absurd uniformity, and for this, unlike the unknown citizen, I know that I am perfectly happy and free.\r\n'