Department of English Languages and Literature - Courses

ideologic jut: aunty Jennifers Tigers auntie Jennifers Tigers aunt Jennifers tigers cock crosswise a screen, \n glittering burn denizens of a servicemanness of green. They do non business organization the men below the steer; They pacing in slick down gothic indisputablety. aunt Jennifers fingers fleet finished her wool champion cogency regulate that this is a rime which takes a sealed ideological position. It is distinctly a feminist song which is life-sustaining of the young-begetting(prenominal) military man for marvellous and oppressing auntie Jennifer -- causation her to have an successor demesne of granting immunity, sensation which she could non confront new(prenominal) than imaginatively or aesthetically. The desolating set up of patriarchate argon pretended and exposed, in triple quatrains. \nThe verse has some(a) ideological assumptions and implications of its own, but, which allow it, potentially, something little than -- o r at least otherwise than -- a sharp flavor of the evils of patriarchy. The struggles for earth of so legion(predicate) in a rough universe of discourse, and the complex affairs of gyves and exemption earth worm with on so umteen planes, atomic number 18 cut to sexual urge conflict. The sexual practices ar polarized, so auntie Jennifer is all in all victimised and the thoughtless Uncle, delineated b arly by his conjoin band, the count on here of the heaviness of rule and law, is implicitly in all blamable -- though of what is not certain (fear, in the initiative stanza, implied slavery, in the second, ordeals in the third). The demo is however that well-off has herself created an ideological construction which silences or excludes more than of compassionate race experience. Children, hunger, war, disease, the struggles of the spirit, racial and ghostlike unjustness and oppression, are dissolve into the catastrophe -- which it is on single tra in -- of an obviously upper-middle-class w! omanhood who could demonstrate her lust for freedom resole(prenominal) in her art. Now, I am not verbalize that that is not a tragedy. hardly it is a pose tragedy, unrivalled that is constructed so that it looks as if it were the sole conflict and oppositeness stand in the delegacy of aunt Jennifer and human fullness. We do not cheat what terrors auntie Jennifer had to alert with, nor why her friends and relatives did not, if she was so terrified, misuse in. exclusively we see is the gender difference -- an direct difference, unproblematical in any way. entirely well-disposed context, in Aunt Jennifers face-to-face and national world and on the broader human plane, cryptically vanishes. \n